翻訳と辞書
Words near each other
・ The Poet & The Piper
・ The Poet (album)
・ The Poet (essay)
・ The Poet (film)
・ The Poet (novel)
・ The Poet and the Little Mother
・ The Poet and the Parrot
・ The Poet and the Poem
・ The Poet Game
・ The Poet II
・ The Poet is a Little God
・ The Poet of Poets
・ The Poet of the Peaks
・ The Poet of Tolstoy Park
・ The Poet Reclining
The Poet's Echo
・ The Poet's Life
・ The Poet's Windfall
・ The Poetaster
・ The Poetess
・ The Poetic Principle
・ The Poetics of Space
・ The Poetry Collection
・ The Poetry Forum
・ The Poetry of Decay
・ The Poetry Society (India)
・ The Poets
・ The Poets and Poetry of America
・ The poets of Elan
・ The Poets of the Tomb


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

The Poet's Echo : ウィキペディア英語版
The Poet's Echo

''The Poet's Echo'' (Russian title: ''Поета Эхо'') is a song cycle composed by Benjamin Britten (191376) in August 1965 during a holiday visit to the Soviet Union, in Dilizhan, Armenia. It consists of settings for high voice and piano of six poems by the Russian poet Alexandr Pushkin (17991837), in their original language. It was published as his Op. 76.
The cycle is dedicated to his Russian friends Galina Vishnevskaya ("Galya") (soprano) and her husband Mstislav Rostropovich ("Slava") (cellist, pianist and conductor). Britten had previously dedicated several compositions for cello to Rostropovich. He had wanted Vishnevskaya to sing the soprano part in the 1962 premiere of his ''War Requiem'', but the authorities had refused her a visa to travel outside the Soviet Union. ''The Poet's Echo'' was first performed in public by the dedicatees at the Moscow Conservatoire on 2 December 1965, by which time the composer had returned to England.
A typical performance lasts about 15 minutes. The songs are:
# "Эхо" ("Echo")
# "Я думал, сердце позабыло" ("My Heart")
# "Ангел" ("Angel")
# "Соловей и роза" ("The Nightingale and the Rose")
# "Эпиграмма" ("Epigram")
# "Стихи, сочинённые ночью во время" ("Lines Written During a Sleepless Night")
Vishnevskaya has said that Britten "had succeeded in penetrating the very heart of the verse"despite the fact that the composer had little Russian, and was working from a bilingual edition of Pushkin's poetry. She recalled a memorable evening in autumn 1965 when the tenor Peter Pears and Britten tried out the songs at the Pushkin House: "The room was cloaked in semi-darknessonly two candles burned. () The moment Ben () started to play the prelude ("Lines Written During a Sleepless Night" ), which he had written to suggest the ticking of a clock, Pushkin's clock began to strike midnight, and the twelve strokes chimed in synchrony with Ben's music. We all froze. I stopped breathing and felt my scalp prickle. Pushkin's portrait was looking straight at Ben. He was shaken and pale, but didn't stop playing." Pears confirmed the incident is his diary, though in somewhat drier terms: "Pushkin's clock joining in the song. It seemed to strike more than midnight, to go on all through the song, and afterwards we sat spell-bound".〔(【引用サイトリンク】website=Britten-Pears Foundation )
== References ==



抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「The Poet's Echo」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.